OG Review:
Directed by Sujeeth, OG was one of the most awaited films of the year. With Pawan Kalyan in the lead, expectations were sky-high. But did the film match the buzz? Let’s see how the film is.
The film follows Ojas Gambheera, also known as OG ( Pawan Kalyan), the last survivor of a Samurai clan from Japan. Adopted by Satyadev (Prakash Raj), he becomes a loyal protector of the family’s business in Bombay during the 1970s. Trouble begins when a container loaded with RDX lands at Satyadev’s port. The mystery of who is behind it, why Gambheera is absent during the crisis, and how he re-enters the story forms the crux of the plot. The narrative mixes crime, power struggles, and loyalty but suffers from weak emotional depth.
Pawan Kalyan carries the film with his natural charisma. His screen presence alone lifts several sequences, especially the police station episode, which stands out as one of the film’s highlights. Director Sujeeth gives him stylish presentation, which fans will love.
Priyanka Arul Mohan plays the female lead. Though her role is short, she makes a graceful impression. Emraan Hashmi, as the antagonist, adds freshness, but the shallow writing limits his performance. Among the supporting cast, Sriya Reddy does well, while veterans like Prakash Raj and Arjun Das feel underutilized.
The movie shines in technical quality. Cinematographers Ravi K Chandran and Manoj Paramahamsa give the film a rich, cinematic look. Thaman’s background score is a big plus, lifting key sequences and adding energy to action blocks. His songs also work well. Editing by Naveen Nooli could have been tighter, especially in the second half where the film feels stretched. Production values from DVV Entertainment are lavish, ensuring the film looks grand on the big screen.
Sujeeth sets up the film in an interesting way. The introduction and interval portions raise expectations with high-octane sequences and stylish elevation scenes for the hero. The first half moves briskly with intrigue around the RDX container. However, the second half loses steam. The emotional track involving a tragic flashback and a child fails to connect with the audience. Several subplots like Arjun Das’s revenge and the rushed introduction of new gangs towards the climax add confusion instead of clarity.
Still, fan service is strong. Pawan Kalyan’s entry scenes, action choreography, and Thaman’s music ensure there are enough “mass” moments for fans. But for general viewers, the lack of depth in drama and weak villain characterization leave the movie feeling hollow.
OG is an action entertainer designed mainly for fans. It delivers stylish presentation, power-packed moments, and strong music but struggles with weak drama and an unconvincing second half. Watch it if you are a Pawan Kalyan admirer, but keep expectations controlled.
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