Aaromaley 3 Days Collections: Aaromaley is the second romantic drama from Shivatmika Enterprises to hit the screens with modest expectations but stronger emotional resonance. First-time actors and simple narrative rooted in relatable storylines have given grace to this film, thanks to its beautiful music and heart-melting performances. These few who appreciated the content-wise film, strange box office figures suggest the opposite; with star-powered releases on one side and small films on the other, this highlights the struggle for smaller films to make a mark.
Aaromaley had a slow opening with just ₹0.30 crore on its Day 1 (Friday) that stood for anything but mass reach for an opening day.
Interestingly, the film saw slight improvement over the weekend. On Day 2 (Saturday) and Day 3 (Sunday), the earnings were ₹0.56 crore each, all three days giving an Indian net collection of ₹1.42 crore.
The growing trend over the weekend notwithstanding, the overall number is still less. The film was doing probably decent in urban centres but never created an uproar in the mass circuits.
Reports suggest that Aaromaley was indeed made with a low budget ranging between ₹6–7 crore, with the average production and marketing costs. To achieve breakeven status, the film would need to cross ₹8 crore in worldwide gross, a target which it seems far from reaching with the short theatrical run.
But there still are some options for the producers—huge recovery claims on account of satellite, digital, and music rights. So if digital mediums open wide enough for a strong OTT deal, Aaromaley might still bring in profits for Shivatmika Enterprises, though dismal box office returns.
By itself, a cinema like Aaromaley now has little chance of surviving theatrically, so a maybe second life through streaming could raise its emotional storytelling and niche appeal.
Also Read: Aaromaley Day 2 Box Office: Shivatmika Got Good Collections For Small Budget?
Total (3 Days): ₹1.42 Cr
Breakeven Target: ₹8 Cr Worldwide
Box Office Verdict: Underperformer yet possibly post-theatrically viable.
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