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DYK The ₹1100 Crore Director Who Still Drives a Maruti 800

DYK The ₹1100 Crore Director Who Still Drives a Maruti 800

Nag Ashwin, the well-known filmmaker behind the blockbuster Kalki 2898 AD, has been highly honored for more than simply his remarkable achievement in film. also for the sort of humility he possesses. Directing one of the all-time highest-grossing Indian movies- grossing roughly ₹11 billion worldwide – the filmmaker has established himself but also at this point. At the height of his popularity, Ashwin leads a rather humble and grounded existence. The director has once more become famous, but this time for something far different from glitter and glamour, with a calm attitude, a very modest life, and minimalist choices.


The Viral Simple Simplicity Video

Nag Ashwin memory failures while driving his ancient yellow Maruti 800, now registered DBC 1859, in one recent viral video on social media. As he can be seen transporting some people inside the vehicle, he has proper company. Also starring in his previous smash Jathi Ratnalu, headed by Faria Abdullah, Naveen Polishetty, Priyadarshi Pulikonda and Rahul Ramakrishna, was the same car. The film went viral and fans rushed to social media suggesting how little the director was. Comments said he was not changed by success and that he was impressed with little attachment.

A Car Representing Discretion

Launched in 1983 at an initial price of roughly ₹ 47,500, the Maruti 800 evokes memories for millions of people in India. Saying practicality comes before prestige, Nag Ashwin is prophetic. Earlier in certain interviews, he did say that using such a tiny car is OK; it runs just fine, and he loves it that way.


Nag Ashwin: The Voyage Continues

Having worked on Kalki 2898 AD, which Prabhas, Amitabh Bachchan, and Kamal Haasan starred, Nag Ashwin is currently pre-production for Kalki 2. His decision of staying grounded; thankfully, actually in his car Maruti 800 – raises the respect and adulation he gets as he is establishing his name among the top names in Indian cinema.

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