Top 9 Indian Directors: Indian cinema is no longer limited to Bollywood cliches. A variegated breed of directors is taking stories rooted in India to international film festivals and streaming platforms, and to a global audience. These 9 filmmakers are already shifting the perception of India on the world cinema map.
RRR (2022) was a film that enjoyed international popularity, especially in the West. It won the Oscar for Best Original Song (“Naatu Naatu”) and was widely acclaimed for its action, emotion, and visual splendor.
His coming-of-age drama, Chhello Show (Last Film Show), was the official Indian entry for the Oscars. A nostalgic tribute to cinema itself, the film premiered at Tribeca and was shortlisted at the Oscars, touching people with its innocence and storytelling.
With minimal crews and budgets, Rima made India’s Oscar entry, Village Rockstars (2017) and Bulbul Can Sing (2018), which screened in Berlin and Toronto. Quiet yet powerful, her stories are among the most truthful representations of rural India.
Jallikattu (2019) was India’s Oscar entry and premiered at TIFF amidst wild acclaim for its primal energy. Pellissery likes dabbling in the surreal and experimental, as witnessed in his 2021 film, Churuli.
With Court (2014) winning Venice’s Lion of the Future and Disciple (2020) premiering at Venice and TIFF with the backing of Alfonso Cuarón, he has explored, with precision and depth, the inner life of an Indian classical musician.
Mahanti (2018) became a celebrated period biopic on actress Savitri. The forthcoming Kalki 2898 AD will be the most ambitious sci-fi film out of India and globally is already creating a buzz for its scale and star cast.
Also Read: Top 7 Richest Music Directors in Indian Cinema: Shocking Networth Revealed
With films like Asuran (2019) and Viduthalai (2023), Vetri’s raw, political narratives about caste and justice have earned spots at international festivals and streaming buzz abroad.
A Cannes favorite, Kashyap’s cult Gangs of Wasseypur (2012) found tremendous success overseas. His latest thriller Kennedy (2023) premiered at Cannes, maintaining his title as India’s global indie voice.
With Kaithi, Vikram, and now building the Lokesh Cinematic Universe, Lokesh’s fast-paced, character-driven action has begun drawing international attention for its stylish world-building and crossover appeal.
These directors are more than just filmmakers: They are the storytellers of a new India, passionately carrying the local stories onto global platforms with an ambitious vision and cinematic merit.